Assalamualaikum w.b.t. dan selamat sejahtera..

Pada post kali ni, aku nak jual sebuah jam burung atau dikenali Cuckoo Clock dalam bahasa omputihnya... hehe...

Berikut adalah maklumat tentang jam ini :

Jenama : tidak diketahu

Model : tidak diketahui

Buatan : German

Tahun Pembuatan : 1970-an

Keadaan : 8/10 (berfungsi dengan baik)

Harga : RM680.00 termasuk pos (boleh nego janji let go)

Jika berminat atau terdapat sebarang pertanyaan, sila hubungi saya:

Cikgu Wan : 0127391464

Sedikit info tentang jam burung / Cuckoo Clock:

http://en.wikipedia.org/wiki/Cuckoo_clock

(SOLD SHAH ALAM)

Cuckoo clock

From Wikipedia, the free encyclopedia

Jump to: navigation, search

A cuckoo clock is a clock, typically pendulum-regulated, that strikes the hours with a sound like a common cuckoo's call and typically has a mechanical cuckoo that emerges with each note. The mechanism to produce the cuckoo call was installed in almost every kind of cuckoo clock since the middle of the 18th century and has remained almost without variation until the present.

History

First modern cuckoo clocks

Mechanical cuckoo, 1650.

In 1629, many decades before clockmaking was established in the Black Forest,^[4] an Augsburg nobleman by the name of Philipp Hainhofer (1578–1647) penned the first known description of a modern cuckoo clock.^[5] The clock belonged to Prince Elector August von Sachsen.
Likewise, in a widely known handbook on music, Musurgia Universalis (1650), the scholar Athanasius Kircher describes a mechanical organ with several automated figures, including a mechanical cuckoo. This book contains the first documented description -in words and pictures- of how a mechanical cuckoo works.^[6] We must assume that Kircher did not invent the cuckoo mechanism, because this book, like his other works, is a compilation of known facts into a handbook for reference purposes. The engraving clearly shows all the elements of a mechanical cuckoo. The bird automatically opens its beak and moves both its wings and tail. Simultaneously, we hear the whistle - call of the cuckoo, created by two whistles of organ pipes, tuned to a minor or major third. There is only one fundamental difference from the Black Forest-type cuckoo mechanism: The functions of Kircher's bird are not governed by a count wheel in a strike train, but a pinned program barrel synchronizes the movements and sounds of the bird.
On the other hand, in 1669 Domenico Martinelli, in his handbook on elementary clocks "Horologi Elementari", suggests using the call of the cuckoo to indicate the hours.^[7] Starting at that time the mechanism of the cuckoo clock was known. Any mechanic or clockmaker, who could read Latin or Italian, knew after reading the books that it was feasible to have the cuckoo announce the hours.
Subsequently, cuckoo clocks appeared in regions that had not been known for their clockmaking. For instance, the Historische Nachrichten (1713), an anonymous publication generally attributed to Court Preacher Bartholomäus Holzfuss, mentions a musical clock in the Oranienburg palace in Berlin. This clock, originating in West Prussia, played eight church hymns and had a cuckoo that announced the quarter hours.^[8] Unfortunately this clock, like the one mentioned by Hainhofer in 1629, can no longer be traced today.^[9]
A few decades later, people in the Black Forest started to build cuckoo clocks.

First cuckoo clocks made in the Black Forest

Early cuckoo clock, Black Forest, 1760-1780 (Deutsches Uhrenmuseum, Inv. 03-2002)

It is not clear who built the first cuckoo clocks in the Black Forest^[10] but there is unanimity that the unusual clock with the bird call very quickly conquered the region. Already by the middle of the 18th century, several small clockmaking shops produced cuckoo clocks with wooden gears. So the first Black Forest examples were created between 1740 and 1750. They had hand-painted shields.
It is hard to judge how large the proportion of cuckoo clocks was among the total production of modern movement Black Forest clocks. Based on the proportions of pieces surviving to the present, it must have been a small fraction of the total production.^[11]
Regarding its murky origins, there are two main fables from the first two chroniclers of Black Forest horology which tell contradicting stories about it:
The first is from Father Franz Steyrer, written in his "Geschichte der Schwarzwälder Uhrmacherkunst" (History of Clockmaking in the Black Forest) in 1796. He describes a meeting between two clock peddlers from Furtwangen (a town in the Black Forest) who met a travelling Bohemian merchant who sold wooden cuckoo clocks. Both the Furtwangen traders were so excited that they bought one. On bringing it home they copied it and showed their imitation to other Black Forest clock traders. Its popularity grew in the region and more and more clockmakers started producing them. With regard to this chronicle, the historian Adolf Kistner claimed in his book "Die Schwarzwälder Uhr" (The Black Forest Clock) published in 1927, that there is not any Bohemian cuckoo clock in existence to verify the thesis that this clock was used as a sample to copy and produce Black Forest cuckoo clocks. Bohemia had no fundamental clockmaking industry during that period.

Exemplary by Johannes Wildi, Eisenbach, ca. 1780. (Deutsches Uhrenmuseum, Inv. 2008-024)

The second story is related by another priest, Markus Fidelis Jäck, in a passage extracted from his report "Darstellungen aus der Industrie und des Verkehrs aus dem Schwarzwald" (Description of Industry and Commerce of the Black Forest), (1810) said as follows: "The cuckoo clock was invented (in 1730) by a clock-master (Franz Anton Ketterer) from Schönwald (Black Forest). This craftsman adorned a clock with a moving bird that announced the hour with the cuckoo-call. The clock-master got the idea of how to make the cuckoo-call from the bellows of a church organ". As time went on, the second version became the more popular, and is the one generally related today. Unfortunately, neither Steyrer nor Jäck quote any sources for their claims, making them unverifiable.
On the other side, R. Dorer pointed out, in 1948, that Franz Anton Ketterer (1734–1806) could not have been the inventor of the cuckoo clock in 1730 because he hadn't then been born. This statement was corroborated by Gerd Bender in the most recent edition of the first volume of his work "Die Uhrenmacher des hohen Schwarzwaldes und ihre Werke" (The Clockmakers of the High Black Forest and their Works) (1998) where he wrote that the cuckoo clock was not native to the Black Forest and also stated that: "There are no traces of the first production line of cuckoo clocks made by Ketterer". However, Schaaf in "Schwarzwalduhren" (Black Forest Clocks) (1995), provides his own research which leads to the earliest cuckoos being in the "Franken-Niederbayern" area (East of Germany), in the direction of Bohemia (a region of the Czech Republic), which he notes, lends credence to the Steyrer version.
The legend that the c. clock was invented by a clever Black Forest mechanic in 1730 (Franz Anton Ketterer) keeps being told over and over again. But all of this is not true.^[12] This type of clock is much older than clockmaking in the Black Forest. As early as 1650 the bird with the distinctive call was part of the reference book knowledge recorded in handbooks. It took nearly a century for the cuckoo clock to find its way to the Black Forest, where for many decades it remained a tiny niche product.
Although the idea of placing an automaton cuckoo bird in a clock to announce the passing of time did not originate in the Black Forest, it is necessary to emphasize that the cuckoo clock as we know it today, comes from this region located in southwest Germany whose tradition of clockmaking started in the late 17th century. The Black Forest people who created the cuckoo clock industry developed it, and still come up with new designs and technical improvements which have made the cuckoo clock a valued work of art all over the world. The cuckoo clock history is linked to the Black Forest.

Rahmenuhr by J. Laule, Furtwangen, ca. 1860 (Deutsches Uhrenmuseum, Inv. 07-0068)

Even though the functionality of the cuckoo mechanism has remained basically unchanged, the appearance has changed as case designs and clock movements evolved in the region. In the beginning of the 19th century the now traditional Black Forest clock design, the "Schilduhr" (Shield-clock), was characterized by having a painted flat square wooden face behind which all the clockwork was attached. On top of the square was usually a semicircle of highly decorated painted wood which contained the door for the cuckoo. These usually depicted floral patterns (so-called “Rosenuhren”) and often had a painted column, on either side of the chapter ring, others were decorated with illustrations of fruit as well. Some pieces also bore the names of the bride and bridegroom on the dial, which were normally painted by women.^[13] There was no cabinet surrounding the clockwork in this model. This design was the most prevalent between the end of the 18th century and the first half of the 19th century. These timekeepers were typically sold from door to door by "Uhrenträger" (Clock-peddlers) who would carry the dials and movements on their backs displayed on huge backpacks.
Towards the middle of the nineteenth century till the 1870s, cuckoo clocks were also manufactured in the Black Forest type of clock known as "Rahmenuhr" (Framed-clock). As the name suggests, these scarce wall cuckoo clocks consisted of a picture frame, usually with a typical Black Forest scene painted on a wooden background or a sheet metal, lithography and screen-printing were other techniques used. Other common themes depicted were; hunting, love, family, death, birth, mythology, military and Christian religious scenes. Works by painters such as Johann Baptist Laule (1817–1895) and Carl Heine (1842–1882) were used to decorate the fronts of this and other types of clocks. The painting was almost always protected by a glass and some models displayed a person or an animal with blinking or flirty eyes as well, being operated by a simple mechanism worked by means of the pendulum swinging. The cuckoo normally took part in the scene painted, and would pop out in 3D, as usual, to announce the hour.
From the 1860s until the twenties, and according to the decorative tastes prevailing in each moment, cuckoo clock cases were manufactured following different styles then in vogue such as; Biedermier (some models also included a painting of a person or animal with moving eyes), Neoclassical or Georgian (certain pieces also displayed a painting), Gothic, Renaissance, Baroque, Art Nouveau, etc., becoming a suitable complementary piece for the bourgeois living room. These timepieces, based both on architectural and home decorative styles, are rarer than the popular ones looking like gatekeeper-houses (Bahnhäusle style clocks) and they could be mantel, wall or bracket clocks.
But the popular house-shaped Bahnhäusleuhr (Railroad house clock) virtually forced the discontinuation of other designs within a few years.

Bahnhäusle style, a successful design from Furtwangen

Left: Railway-house clock by Friedrich Eisenlohr, 1850-1851; right: Kreuzer, Glatz & Co., Furtwangen, 1853-1854, without cuckoo bird (Deutsches Uhrenmuseum, Inv. 2003-081)

In September 1850, the first director of the Grand Duchy of Baden Clockmakers School in Furtwangen, Robert Gerwig, launched a public competition to submit designs for modern clockcases, which would allow homemade products to attain a professional appearance.
Friedrich Eisenlohr (1805–1854), who as an architect had been responsible for creating the buildings along the then new and first Badenian Rhine valley railroad, submitted the most far-reaching design.^[14] Eisenlohr enhanced the facade of a standard railroad-guard’s residence, as he had built many of them, with a clock dial. His "Wallclock with shield decorated by ivy vines," (in reality the ornament were grapevines and not ivy) as it is referred to in a surviving, handwritten report from the Clockmakers School from 1851 or 1852, became the prototype of today’s popular souvenir cuckoo clocks.
Eisenlohr was also up-to-date stylistically. He was inspired by local images; rather than copying them slavishly, he modified them. Contrary to most present-day cuckoo clocks, his case features light, unstained wood and were decorated with symmetrical, flat fretwork ornaments.
Eisenlohr's idea became an instant hit, because the modern design of the Bahnhäusle clock appealed to the decorating tastes of the growing bourgeoisie and thereby tapped into new and growing markets.
While the Clockmakers School was satisfied to have Eisenlohr’s clock case sketches, they were not fully realized in their original form. Eisenlohr had proposed a wooden facade; Gerwig preferred a painted metal front combined with an enamel dial. But despite intensive campaigns by the Clockmakers School, sheet metal fronts decorated with oil paintings (or coloured litographs) never became a major market segment because of the high cost and labour-intensive process,^[15] hence only a few were produced (from the 1850s until around 1870), whether wall or mantel versions, and are nowadays sought-after collector pieces.
Characteristically, the makers of the first Bahnhäusle clocks deviated from Eisenlohr's sketch in only one way: they left out the cuckoo mechanism. Unlike today, the design with the little house was not synonymous with a cuckoo clock in the first years after 1850. This is another indication that at that time cuckoo clocks could not have been an important market segment.^[15]
Only in December 1854, Johann Baptist Beha, the best known maker of cuckoo clocks of his time, sold two of them, with oil paintings on their fronts, to the Furtwangen clock dealer Gordian Hettich, which were described as Bahnhöfle Uhren ("Railroad station clocks").^[16] More than a year later, on January 20, 1856, another respected Furtwangen-based cuckoo clockmaker, Theodor Ketterer, sold one to Joseph Ruff in Glasgow (Scotland, United Kingdom).
Concurrently with Beha and Ketterer, other Black Forest clockmakers must have started to equip Bahnhäusle clocks with cuckoo mechanisms to satisfy the rapidly growing demand for this type of clock. Starting in the mid-1850s there was a real boom in this market.
By 1860, the Bahnhäusle style had started to develop away from its original, “severe” graphic form, and evolve, among other designs, toward the well-known case with three-dimensional woodcarvings, like the Jagdstück ("Hunt piece", design created in Furtwangen in 1861), a cuckoo clock with carved oak foliage and hunting motives, such as trophy animals, guns and powder pouches.^[17]
By 1862 the reputed clockmaker Johann Baptist Beha, started to enhance his richly decorated Bahnhäusle clocks with hands carved from bone and weights cast in the shape of fir cones.^[18] Even today this combination of elements is characteristic for cuckoo clocks, although the hands are usually made of wood or plastic, white celluloid was employed in the past too. As for the weights, there was during this second half of the 19th century, a few models which featured weights cast in the shape of a Gnome and other curious forms.
Only ten years after its invention by Friedrich Eisenlohr, all variations of the house-theme had reached maturity.
There were also Bahnhäusle timepieces and its derived manufactured as mantel clocks but not as many as the wall versions.
The basic cuckoo clock of today is the railway-house (Bahnhäusle) form, still with its rich ornamentation, and these are known under the name of "traditional" (or carved); which display carved leaves, birds, deer heads (like the Jagdstück design), other animals, etc. The richly decorated Bahnhäusle clocks have become a symbol of the Black Forest that is instantly understood anywhere in the world.
Even today it is a favourite souvenir of travelers in Germany, Switzerland and Austria. The centre of production continues to be the Black Forest region of Germany, in the area of Schonach and Titisee-Neustadt, where there are several dozen firms making the whole clock or parts of it.
The cuckoo clock became successful and world famous after Friedrich Eisenlohr contributed the Bahnhäusle design to the 1850 competition at the Furtwangen Clockmakers School.[

Aku rasa adalah baik untuk aku kongsikan cerita tentang PROTON bagi entri pertama berkenaan kereta pada kali ini. Ini kerana PROTON merupakan kebanggaan rakyat Malaysia hasil pengeluarannya sendiri. Berikut adalah sedikit kisah berkenaan PROTON.

PROTON merupakan kereta keluaran Malaysia yang beribu pejabat di Subang Jaya dan Shah Alam. Kilang pemasangan kereta pula terletak di Tanjung Malim, Perak yang juga dikenali sebagai PROTON City. Ditubuhkan pada tahun 1983 dan nama PROTON itu sendiri adalah singkatan (akronim) bagi Perusahaan Otomobil Negara.

Antara model terawal proton yang boleh dilihat di Muzium Negara, Kuala Lumpur

Selama lebih kurang 20 tahun, PROTON dibayangi Mitsubishi kerana Mitsubishi memegang 7.93% saham Proton sebelum dijual kepada Khazanah Nasional mengambil alih pada tahun 2004 di mana Khazanah memgang 42.7% sebelum itu.

Tidak dinafikan mantan Perdana Menteri Malaysia yang keempat iaitu Tun Dr. Mahathir merupakan penggerak yang berusaha bersungguh-sungguh memastika Malaysia mampu mengeluarkan keretanya sendiri. Berikut adalah model-model kenderaan keluaran PROTON yang telah dikeluarkan sejak tahun 1983.

1. PROTON Saga
2. PROTON Iswara
3. PROTON Wira
4. PROTON Tiara
5. PROTON Satria
6. PROTON Waja
7. PROTON Exora
8. PROTON Preve

* ada pengeluaran model susulan seperti Satria Neo dan lain-lain tidak dinyatakan dalam senarai di atas.

Iwan Time

Wednesday, 26 December 2012

Casio G Shock Hijau Askar (RM 390 nego)

Casio G Shock Tough Solar Biru (RM 870 nego)

Casio Multifunction Gold (RM200 nego)

Casio Digital (RM150 nego)

Tuesday, 25 December 2012

Tukar nama kepada Wawan Jam

Saturday, 22 December 2012

FOSSIL Multifunction Blue (RM 150) SOLD

Friday, 21 December 2012

Jam Burung / Cuckoo Clock (SOLD)

Cuckoo clock

History

First modern cuckoo clocks

First cuckoo clocks made in the Black Forest

Bahnhäusle style, a successful design from Furtwangen

Thursday, 20 December 2012

PROTON

Saturday, 24 November 2012

Jelajah Roda


Inilah dia Tn. Hj. Jamhari bin Sayot.. minat beliau yang pelbagai menjadi pengaruh utama dalam hidup aku juga..hehe.. p/s.. basikal ni arwah Yai (Atuk dlm bahasa jawa) aku.. Dah diwariskan kepada ayah aku dan diwariskan kepada aku... Alhamdulillah ..3 generasi sudah....